![]() Zur’s Hollywood scoring expertise combined with his flair for powerful melodic writing is widely recognized in the world of interactive entertainment. His scores for film and television include AU PAIR, ESCAFLOWNE, DIGIMON, POWER RANGERS, STATE OF GRACE and GHOST WHISPERER: THE OTHER SIDE. A graduate of the Music Academy of Tel Aviv in Israel, Inon moved to Los Angeles to study the art of film music at the Dick Grove School of Music and UCLA with such luminaries as Jack Smalley, Alan Ferguson and Henry Mancini. ![]() Inon Zur composes emotionally dynamic music for film, television, anime and video games. Michael continues to evolve his diverse resume, expanding on his work done in multiple fields with companies that have included Paramount Pictures, 2K / Firaxis, Discovery Channel & Alliance Atlantis. Michael’s diverse work in film, TV and games has also earned him nominations from the Academy of Interactive Arts & Sciences for SPLINTER CELL: DOUBLE AGENT (Game), 2 Genie nominations & 2 Leo Award nominations for sound design IT’S ALL GONE PETE TONG (Film), and a second HMMA nomination for his opening theme to the syndicated sci-tech drama series REGENESIS (TV). His universally acclaimed score for DEUS EX: HUMAN REVOLUTION, which fuses industrial, choral, world and ambient elements into an epic cyber-noir, tour-de-force soundtrack, earned him nominations from the British Academy of Film & Television Arts, Spike TV VGAs, Hollywood Music in Media Awards, and landed him on IGN’s list of the top 30 people working in video games in 2011. ![]() Renowned for his ambient cinematic scores and emotionally-charged organic soundscapes, Michael McCann has established himself as an uncompromising musical force in video games, television and film. His latest scores include the action/adventure DARKSIDERS II and the role-playing-shooter BORDERLANDS 2. ![]() Best known for composing the unique, thematic music soundtracks for multi-million selling franchises ASSASSIN’S CREED, BORDERLANDS and HITMAN, Kyd’s compelling and distinctive scores feature a diverse array of instrumentation including orchestra, choir, soloists, acoustic manipulations and electronic soundscapes, immersing audiences with emotional depthand often described by critics as ‘rousing,’ ‘surreal’ and ‘beautiful.’ Spanning from his iconic electronic and symphonic scores for the HITMAN series which won him a BAFTA for Best Original Music, to the post-apocalyptic wasteland themes of BORDERLANDS, and his evocative Middle-Eastern and Renaissance-era scores for the history-inspired ASSASSIN’S CREED series, Jesper Kyd constantly evolves his craft as a leading artist for creating memorable and inspirational original soundtracks. ![]()
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